Ghostwoman (CAN)
Despite ‘Hindsight Is 50/50’ being the third album from Ghost Woman in 18 months, songwriter and multi-instrumentalist Evan Uschenko believes that this is the first album that “finally captures the true nature of the band”.
Uschenko states that “the first two albums were never meant to be albums: they are like pages from diaries that have long since been burned. With the introduction of Ille van Dessel as co-writer/drummer, the project feels like it has a direction”.
There is a confidence and assurance that feels built upon the 2022 eponymous debut and the follow-up ‘Anne, If’, which was only released in January 2023. This urgency to progress and keep moving forward is reflected by the band: “We prefer to keep busy. But we’re lazy too. We still feel like we could be doing a lot more.” Overall, there is a darker, denser feel compared to previous releases, but the sound and vibe of this album is more akin to what the project was supposed to be when it started in 2016, finally realising Ghost Woman’s creative vision. The immersion into the album is immediate, locking in with the incessant riffing of ‘Bonehead’ setting the scene for what follows. Next up is the echoey, garage-surf twang of ‘Alright Alright’. The opening line “take a little walk with me…” has a sinister, gothic hue that wouldn’t feel out of place on Murder Ballads or Peaky Blinders.
Overall, Ghost Woman appreciate that they have arrived at where they always wanted to get to: “It is the sound it was meant to be. It is the band as a whole”.
Uschenko states that “the first two albums were never meant to be albums: they are like pages from diaries that have long since been burned. With the introduction of Ille van Dessel as co-writer/drummer, the project feels like it has a direction”.
There is a confidence and assurance that feels built upon the 2022 eponymous debut and the follow-up ‘Anne, If’, which was only released in January 2023. This urgency to progress and keep moving forward is reflected by the band: “We prefer to keep busy. But we’re lazy too. We still feel like we could be doing a lot more.” Overall, there is a darker, denser feel compared to previous releases, but the sound and vibe of this album is more akin to what the project was supposed to be when it started in 2016, finally realising Ghost Woman’s creative vision. The immersion into the album is immediate, locking in with the incessant riffing of ‘Bonehead’ setting the scene for what follows. Next up is the echoey, garage-surf twang of ‘Alright Alright’. The opening line “take a little walk with me…” has a sinister, gothic hue that wouldn’t feel out of place on Murder Ballads or Peaky Blinders.
Overall, Ghost Woman appreciate that they have arrived at where they always wanted to get to: “It is the sound it was meant to be. It is the band as a whole”.
23. Jänner 2024 20:00 Uhr
Chelsea
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